
Wheel of Life Full Moon Meditation - Pisces sun/ Virgo moon – 14th March 2025
The full moon link-up is offered as a way of connecting with other ‘inner pilgrims’. You are invited to join in at 12 noon on this date - Meditation is a personal journey, which unfolds in our unique ways. As we attune together at 12 pm we can make our prayers more powerful with a common focus. For those who feel connected to this particular work of the Gatekeeper Trust perhaps we could share the focus of a wheel of silver light spinning in the British Zodiac, radiant and happy.
Representing the Pisces is associated with Aphrodite and Eros who escaped from a monster by leaping into the sea and transforming themselves into fish. In order to not lose each other, they tied themselves with a cord. In modern symbology, Pisces is represented by two fish swimming in unison, both with their mouths at the tail of the other. The two fish represent the integration and balancing of two polarities.
Balancing the polarities, the two holy islands in the Bristol Channel between Aquarius and Pisces, have deep sacred roots..
St Iltyd’s Church and Priory, Caldy Island off the Pembroke coast. St Iltyd is an alternative name for St Joseph who is believed to have entered the Welsh landscape and established the ‘cradle of Christianity’, now with 26 churches dedicated to him.
The remains of a stone circle on Lundy. Lundy is known in Welsh as Ynys Wair, 'Gwair's Island', in reference to an alternative name for the wizard Gwydion …Lundy was granted to the Knights Templar by Henry II in 1160. The Templars were a major international maritime force at this time,
The ‘Lundy Egg’ discovered by Robin Heath, ascribes special importance in Megalithic geometry.
It is very probably aligned to many Megalithic sites throughout the Isles of the Hesperides. The key is one of Professor Thom’s ‘Pythagorean triangle’ linking Lundy with Stonehenge, and N-S through the centre of our Isles (see more below)..
Pisces the twins, represents the marriage the perfect MYSTIC DIMENSION and THE IDEAL – if there were no imperfections, there would be no heroic quests, and no ‘LUMINOUS WARIORS OF TRUTH’. Therefore our physical imperfect world is unique on every occasion… AND THIS IS THE PHILOSOPHY OF THE ‘PYTHAGOREAN COMMA’, where in our created world is actually totally unique with only the ideal dimension a guide, not a promise.
The Isles of the Hesperides, the’Triple Goddess’
Peter Dawkins https://www.peterdawkins.com/events/
The questing to Discover and identify wholeness/connectedness leads us to the ideal of universal compassion, the Piscean quest. : in our created physical worlds/environments: Geometry of wholeness: balancing polarities and fine-tuning creative engagement with our material world – Alexander Thom’s triangle linking Lundy, Caldey and Preseli Bluestone quarry. As Stonehenge has been measured for producing sound (Maria Wheatley’s research), is the function of the 12-5-13 geometry to do with recreating subtle resonance out of the ‘wholeness’ of larger landscapes?' Through unlocking the ‘geometric formula’ for wholeness, can we liberate a musical expression between landscapes, using our human/cosmic self to initiate a ‘loving dialogue with subtle dimensions of Nature/environments and landscapes.
RESPONSIVE SIGN – FULL MOON IN Virgo, GIVING precision of vision through earth environments – precision in earth-to-human heart synchrony and precision of ‘whole body’ focus of attunement in the landscape. We are capable of flying between areas of the landscape, carrying harmonic energies triggered in the balance of heart, body and ajna visual centre.
https://www.youtube.com/watch?v=hzaZMIwXWFk - How was SOUND Used to Construct Ancient Megaliths of Earth?
‘Ceremonies at the Sacred sites ‘help to harmonize energetic fields of consciousness through the energies of that site’… like acupuncture, the healing of imbalance seems to have been known by Megalithic cultures… tried and tested through the great circles of stones.
The perfect ideal form and what manifests around the physical form.
GAIA: How was sound used to construct ancient megaliths of Earth? From the manipulation of gravitational fields to the electromagnetic ties of consciousness, professionals agree most ancient megaliths are aligned with “frequency nodes,” much like planetary chakra points. Top researchers and experts weigh in on potential sound technologies used to create structures like The Pyramids of Giza in Egypt, Gobekli Tepe in Turkey, plus Teotihuacan and Chichen Itza in Mexico. Through examinations of these legendary structures, explore the vibrational nature of our universe..
….Getting into sympathetic resonance with stone. Maybe thousands of years ago earth was in a different tviibrationary state than it is today. Are Sacred sites positioned on the nodal points on earths frequency grid?
…The Pythagorean comma – a diatonic pause in a musical scale. ‘a gap in the archetypal blueprint of creation that exists in a higher plane… a pattern that crystalises into a physical structure…
This is probably true, BUT how do we test this scientific hypothesis out for the experiential truth of it in active contexts? The answer is in our own subjective experience, when we can blend our mental and emotional energies in a synchrony, into our brain’s potential neuro-synthesis. The harmonics of brain interconnectivity when plenty of training (such as meditation and visualisation, reflection and open-ended questing. This psycho-synthesis occurs when including the somatic receptivity of the brain’s stem, until we are able to visualise energetic action within physical contexts.
Harmonics of stone temples:
As Stonehenge has been measured for producing sound (Maria Wheatley’s research), is the function of the 12-5-13 geometry to do with recreating subtle resonance out of the ‘wholeness’ of larger landscapes? As Stonehenge has been measured for producing sound (Maria Wheatley’s research),we quest what is the function of the 12-5-13 geometry to do with recreating subtle resonance out of the ‘wholeness’ of larger landscapes? Is there a 'musical harmony' there to be liberated by addressing our creative consciousness to a) Prof Thiom's measurements; b) our own intuitive linking with islands and mainlands in a loving quest (the ‘interdimensional task’ of loving and therefore generating creative responses through pilgrimage....
Howard Crowhurst (Howard Crowhurst new book Youtube:and new book ‘’The Megalithic Plan’ worked with the sacred triangle of Alexander Thom, which aligns both with the Orkneys, and Carnac.The exact NS alignment goes through the Isle of Man and Castle Rigg in the Lake District. This precise N-S line starts at Carnac:
Carnac’s megaliths from Professor Thom’s research..
Robin Heath elaborates the ancient geometric ‘ideal proportions’ in the Pisces section of the British Zodiac. We have the magical truth of the ‘Pythagorean Comma’ in which the vision of Perfection, has an imperfect relationship with physical evolution: The ideal and the real ‘twins’ of conscious experience means, that our life in the crystalline, material universe is always and EVERYWHERE UNIQUE. We live in constant relationship with the ideal which flashes through the REAL WORLD in dreams and images. Otherwise, without this ideal ‘seed’ we would never be unique. The pearl needs its ‘seed’:
Neolithic carved stone ball found in Scotland. No-one knows who carved these, which are considered to be precise Platonic designs.
In sacred geometry, the imperfect and perfect live together as one.
Robin Heath applied Pythagorean measurements to the stone structures at Stonehenge and Lundy Island, not forgetting the Bluestone circle site in the Presceli region. He was no to know that the altar stone in the centre of Stonehenge comes from N Scotland..
THE INNER EXPERIENCE OF SACRED SITES: To apply neurosynthesis, the rational brain starts with maps and measurements. Our intuitive sense (combining afferent and efferent neurones blended with lucid imagination…. We get an inner construction we call intuition, and assess the subjective experiences of visitors to stone sanctuaries: what moods, lucid intuition, etc do we record and process
The Lundy meridian by Robin Heath
Robin Heath’s alignment that surely Megalithic builders ‘knew’ and worked with draws upon the Pythagorean 5-12-13 Triangle, with an alignement drawn from Stonehenge to Lundy and Caldy islands, Anglesea, and up through the Isle of Man and through the Lake District sanctuaries..
Such precision has meaning (its connectivity) in the subtle dimensions of the landscape, as well as our subtle ‘neurocrafting’ of our brain’s potential synthesis. Reading and interpreting these maps and texts, guides us to quest for the underlying ‘wholeness’ and connectivity of our island landscapes. It also points to how we ourselves can INNOVATE with our brains neurochemistry and synthesis. Through interpreting subtle senses, we can introject back in time to earlier cultures for whom modern ‘technical engineering’ was not available.
OUR HUMAN EVOLUTION: THE BRAIN’S PSYCHIC POTENTIAL FOR HIGHER LEVELS OF CONSCIOUSNESS IN A MIRRIAD OF UNIQUELY BEAUTIFUL WAYS:
Using visual models and ancient interpretation of mythology, we can refine ‘inner knowledge’ into new maps and quests for brain synthesis:
INCARNATION PLAN OF ACTION OF THE IDEAL ‘SEED’ OF WHOLENESS AND BEAUTY WITHIN OUR PSYCHE – in the centre is our ‘grail of love’ with which we learn to intograte through which we also become experts in putting love into action in a broader sense. This ‘wheel of life’ is in action in Nature, calling us to perfect our emerging ‘light radiance’ skills. Our soul supervises this experiment.
As we are a bundle of magnetic bio-electrical fields or magnetic plasma bundles: earth, Nature, personality, body, transpersonal, etc and each has an ‘ideal charactersl’ in the archetypal ‘Piscean’ stella heavens above. (For more see David Spangler’s bookl ‘Journey Into Fire’ p.68.). In the centre is our emerging star self which integrates with our planet to create the ‘Gaia-human’ being.
Our ‘Creative Selves: The ‘Round Table’ of full cycles of creativity and brain development cycle. This guidelines in Arthurian myth are to assist a maturing of empathic and intuitive functions of the human brain: a visionary teaching for humanity to practice and test.
An adventure in Brain evolution: Once we learn how to blend our brain’s different processors, access to subtle resonances could be detected through pinpointing somatic sensors with higher precision. The next adventure into space is inner realms of perception, refined through rational sequencing and empathic communication. In our ‘playpen’ earth is presenting ‘persistence of structure’, a resistance to being remodelled which entices our potential ‘creative innovation’ to expand. The underlying wholeness of our psyche, of the Universe and Gaia herself, brought humanity to questing the star constellations, and discovering the precision of ‘cycles of energy within our physical body: the cycles of thought and emotion somatic sensing, and a plasticity that hides itself in daily experience. As we discover our creative ‘star self’, our world becomes defined and precise, our focus of consciousness grows and flowers.
THE ‘ROUND TABLE’ OF CREATIVE CHANGE FROM VISION THROUGH TO LOVE IN ACTION AND THE TRANSFORMATION OF OUR INNER CONSCIOUS EMERGENCE – WHO AM I, WHAT AM I CAPABLE OF. This cycle of questing helps our ‘star self’ begin to radiate and fill the physical world with our light, we give birth to the light of infinite light and love, fill the our world.
The Irish Astrological associations.
GEOMETRY OF CONSCIOUSNESS – our ancient knowledge imparted to the sages from the solar, lunar and other cosmic entities. Forms were built to represent our path to ‘possible human’.
A geometric pattern of ‘cycles’ of action-response in ordinary life, become synergistically ‘rewired’ from limiting patterns of behaviour. This is the logic of incarnate growth and development, when represented rationally from intuitive ‘register’ of whole and combined parts of our individual existence. Our imagination has a process of shifting focus from whole parts to individual, miniscule parts. Intuitive self-created emerges empathically to the ‘inner eye’ between brain hemispheres.
The ’narrative’ is of the ’Arthurian round table’ of cyclic transformation: an evolutionary creative unfolding of sensory data, can be learned through finely tuned expression (inter-personal and inter-terrestrial) focusing 12 innate somatic qualities of active engagement with the world and human culture, that unfold intuitive knowledge of the ‘mystic whole’. The world outer and inner worlds merge synergistically within us.
And the four key challenges round this wheel – represented in tradition by symbols of spear, sword, shield and crystal - are where we learn to experience wholeness:
MYTHOLOGY of the spiritual ideal embodied within the evolved human
https://druidry.org/resources/brigid
Brigit is the Celtic Saint and Goddess of Poetry, Healing and Smithcraft. She has been worshiped by the Celtic people as a Saint for over fifteen hundred years, and as a Goddess long before the Roman invasion of Britain and the birth of Christ. Her cult was so powerful that the Celtic Christian Church had to adopt her as a Saint, and the Roman Catholic Church followed suit, for her people would not abandon her. Along with St. Patrick, she is the patron Saint of Ireland. St. Brigit is often referred to as Muire na nGael ‘Mary of the Gael’. Mara Freeman states, ‘Brigit is the nearest thing we have to a Great Mother of the Celts.’
It is believed that he name ‘Britain’ is a derivation of Brigit’s name. Britain was named for an ancient Celtic tribe, the Brigantes, who worshipped Brigit and were the largest Celtic tribe to occupy the British Isles in pre-Roman times. The tribe originally came from the area that is now Bregenz in Austria near Lake Constance. The word ‘brigand’ comes from this tribe of fierce warriors.
Her worship probably spread from the Continent, leaving place names behind, such as Brittany in France. Brigit place names are found in Brechin, Scotland, the river Brent in England, the river Braint in Wales, Bridewell in Ireland. Even London has a Bridewell. The symbol of Britain, the Goddess Brigantia or Britannia, (still found on their fifty pence coin) is Brigid in her aspect as Goddess of Sovereignty or Guardian of the Land.
There are many variations, pronunciations, and spellings of Her name, including:
The name Brigit itself means either ‘Fiery Arrow’, ‘Bright One’, or ‘High One’ in the ancient Celtic language, referring to her solar aspect. In the old Celtic language, she was Briganti, which is connected to the old Indo European word, Bhrghnti. In Sanskrit, bhrati, or brihati means ‘exalted one’.
BOTH GODDESS (THE VIRGIN IDEAL) AND SAINT (THE PERFECT HUMAN), THE CULTURAL INTERCONNECTIVITY OF THE SAINTS WHO SHARE A HIGH VISION OF HUMAN EVOLUTIO IN THEIR TEACHINGS:
‘She possesses an unusual status as a Sun Goddess who hangs her cloak upon the rays of the Sun and whose dwelling-place radiates light as if on fire. Brigid took over the Cult of the Ewes formerly held by the Goddess Lassar, who also is a Sun Goddess and who made the transition, in the Isles, from Goddess to saint. In this way Brigid’s connection to Imbolc is completed, as the worship of Lassar diminished, only to be revived later in Christian sainthood.’ (source: Yn Lior Manninagh Vol 3 (1895-1901); Mona Miscellaney by Wm. Harrison (1869);
BLENDING OF HISTORICAL NARRATIVES THAT HONOUR THE SPIRIT OF THE HESPERIDES’ SACRED TRADITIONS OF HUMAN EVOLUTION:
Isle of man: Cjobbru Vreeshey/St Bridget’s well – Isle of Man at The Nunnery, Douglas.
Blair Lucia – a day of Bridget St Lucia, to make a visit to the Well and give offerings of some sort….. it is said that whenever people passed by the well they would hear this amazing exquisite music that was like nothing like any human could make…
Clearing the headstone of the well of Chibbyr Vreeshy in recent years.:
Chibbyr Vreeshy as it was in 1910..
https://www.youtube.com/watch?v=kPiCIYo5Us0
‘St Bridget’s Chapel is now the only existing remains of the original Nunnery establishment, probably dating from the 12th or 13th century. Kermode quotes "Gothic doorway in the S. wall and two side-windows. Piscina of grey sandstone. Two pilasters from the cloister. Burial Ground adjoining".
St Ciaran’s well ‘Chibbyr Karrin, The Corrody, Lezayre, Ireland.
St Bridget (known as Sant Ffraid in Wales) - Ceredigion
THE MYTHOLOGY REVEALS TWO IDENTITIES TO BRIDGET:
https://www.transceltic.com/blog/isle-of-man-st-bridget-woman-our-time
Baring Gould claims that the Ffraid known to us in Wales is actually Brigid of Cill-Muine, whom we are told in The Search for Sam Ffraid… travelled with St Modwena of Monynna (yet another virgin abbess with a complicated confusion of names and stories). Modwena and her party were unable to find a ship for their journey but an angel helpfully marked out a circle of turf and on this they were able to sail, eventually setting down either at Deganwy Castle near Llandudno or at Twyn-y-Capel near Holyhead in Anglesey. We’re also told that this Brigid was sent to Cill-Muine of St Davids’, for instruction in the rules of monastic life. It’s no surprise to find that another writer disagrees and says that Ffraid of Wales is a conglomeration of all the above. There are some twenty churches or chapels dedicated to Ffraid in Wales and ten or so holy wells and there sadly isn’t romm here to list them all, but we hope to make a map available via our website in the near future. Meanwhile, hter’s a photo of the rather overgrown Bride’s Well at Llansantffraid Cwmdeuddwr.
MERGING OF BRIGID’S TWO IDENTITIES:
Believed to have been born near Dundalk, County Louth, in the mid fifth century, St Bridget (Brigid (Irish) Breeshey (Manx)) is a much celebrated figure in Ireland, typically remembered for establishing an abbey and church in Kildare on a site now occupied by St Brigid's Cathedral. However, confusion arises with similarities to a goddess of the same name and many believe she is a merging of two people, sitting on the boundary of pagan mythology, Druidism and Christian spirituality.
St Bridget’s Well Douglas, Isle of Man
St Bridget’s Well Kildare
St Brigid’s Well at Uisneach
Remember that the main altar stone of Stonehenge has been revealed this year 2025 as having come from the NW of Scotland, there is the question of whether the bluestones of the Presceli site were deliberately integrated with a stone representing a far off landscape for a specific reason – was it to do with the interconnection of the ‘Isles of the Hesperides’. Given that these large Megalithic circles were especially tuned to either the solar or lunar passages, and to the ‘music of the spheres’ (see the last article for Aquarius), what symbolic meaning could this have for the Piscean cosmology? Two fishes, one representing the immortal heaven of perfect love and truth, the other the mortal incarnation of humans souls cocreating with the planetary soul. It seems to spell the bridging ‘alchemy’ of planetary creation: the Gaiain-Human synthesis.
The Holy Well OF THE White cow at Tara
The double identity of ‘immortal’ and ‘mortal’ twin identities relate to the dual character of human incarnation, says Peter Dawkins.
Brigid in Wales – saint or goddess? Deep in humanity’s collective psyche, she signals our emerging wholeness.
Condensced from https://goddesstemplebala.co.uk/2022/08/03/finding-ffraid-brigid-in-wales-and-further-afield/ : ‘Brigid, or Ffraid, in Wales was reported to travel to Glastonbury (William of Malmesbury: ‘Lives of the British Saints’… she was known both as a goddess and saint in Kildare…Baring Gould claims that Ffraid in Wales is actually Brigid of Cill-Muine: … we are told in ‘The Search for San Ffraid she travelled with St Modwena and her party who were unable to find a ship for their journey, but an angel helpfully marked out a circle of turf and on this they were able to sail, eventually setting down either at Deganwy Castle near Llandudno or at Tywyn-y-Capel near Holyhead in Anglesey. We are also told that this Brigid was sent to Cill-Muine, or St David’s for instruction in the rules of monastic life.
THE DEEP MYSTERY OF THE MEGALITHIC CULTURE OF THE HESPERIDES:
One of the mysteries revealed this 2025, is the origin of THE ALTAR STONE OF STONEHENGE found in InverneShire.
Stone on top of the altar stone.
The Altar Stone supporting the larger stone: another symbol of the ‘twin reality’
Area of working carved stone balls with Platonic solid carvings - Invernesshire – the region where the altar stone originated, links to the area of some carved ball discoveries.
The carved stone balls found in Scotland represent the Platonic solids we know well, without trace of who carved them. Were they the three goddesses of the Hesperides inspiring the Megalithic and our Pythagorean cultures?
TWO PLANS OF sTONEHENGE: https://www.bbc.co.uk/news
IS STONEHENGE A KEYTO THE MYSTERY OF THE MUCH SOUGHT AFTER HESPERIDES: the ‘IDEAL LAND’?: The six-ton altar stone of Stonehenge – linking us to a major mystery: why and how did this stone arrive at a cost of enormous effort and religious zeal, and commitment. This mysterious discovery comes at the start of a new 25,000 year ‘Greate Age age’, so does it signify a new evolutionary cycle of human development? It seems to be up to each of us to visualise it as our heart’s desire, a remedy for the disastrous wars humanity has suffered, but which serve a impetus for a really ‘age of sacred emergence’.
Researchers comment:
‘The six tonne Altar Stone at the heart of Stonehenge cam from the far north of Scotland rather than south-west Wales as previous thought. A new analysis has found. The discovery shows the construction of Stonehenge was a far greater collaborative effort than scientists realised. It also means that the ancient monument, near Salisbury in south-west England, was built with stones from all parts of Great Britain. The findings suggest Neolithic Britain was a far more connected and advanced society than earlier evidence indicated. The distance between Stonehenge and the far north of Scotland is about 700km (434 miles). The research was led by a Welsh PhD Student, Anthony Clarke, now working at the Curtin University in Western Australia. … the remaining stones in the central horseshoe, which are known as bluestones, are from Wales and the larger stones in the outer circle are from England.
The current stone arrangement at Stonehenge.
[Source: English Heritage and Curtin University]
The Neolithic people must have been pretty well connected, far more connected than people give them credit for. They must have been very well organised.’ A profound realisation for humanity’s historical picture of evolution. The collaboration of intercontinental scientific communities has produced a ‘shift of consciousness’ grounded in the understanding of the rock infra-structures of the British Isles:
‘The Australian team had access to one of the most comprehensive global rock finger-print databases and found the best match was from the Orcadian Basin, which includes the Caithness, Orkney and Moray Firth regions of North-Eastern Scotland.’
Anthony Clarke, Welsh student: ‘Stonehenge seems to be this great British endeavour involving all the different people from all over the island.’
A united Megalithic culture in the Hesperides: [Wiki: ‘In Greek mythology, the Hesperides are the ‘nymphs of evening and golden light of sunsets, who were the ‘Daughters of the Eving’ or ‘Nymphs of the West’. They were also called the ‘Atlantides’ (Ancient Greek’) from their reputed father, Atlas’.
Hannah Sebire: ‘It is phenomenal that the people of the time brought such a large stone all this way. They must have had compelling reason to do it… They had sophisticated and developed society and so they probably had a spiritual side, just like we do.’
‘THREE DAUGHTERS’ OF THE HESPERIDES ARE LINKED THROUGH THE ISLANDS’ MEGALITHIC SITES AND EXACT NORTH-SOUTH ORIENTATIONS:
‘Since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality", classicist Evelyn Bird Harrison has observed…. ‘and in another interpretation ‘the three daughters of Hesperus’.
Could these relate to the three main countries: Scotland, Ireland and Wales. There were many goddesses, and they were gardeners and singers: ‘In addition to their tending of the garden, they have taken great pleasure in singing. Euripides calls them "minstrel maids" as they possess the power of sweet song.’
GODESSES – the mythic ‘Minstral Maids’ of the HESPERIDES WERE GARDENERS AND SINGERS:
The Megalithic culture was ruled by the path of the sun and moon, from which originated the geometrically aligned stone circles, capturing the light in different ways through reflections off the stones. These ‘sun circles’ and ‘lunar egg’ circles originated from the Megalithic culture of the ‘Hesperides’ and its ‘sun goddesses’ who would sing as musicians and ‘tend the garden’ for humanity to follow in their footsteps.
We might see these mythical goddesses as representing the ‘whole’ set of islands – the Hesperides – out of which we are taught to recognise the ‘spirit of place’ or the ‘soul of the British Isles’ and the ideal female archetype… We may idealise that our future is characterised by the use of celebration with music, mandala (geometry) and the task of ‘planetary gardening’.
PISCES OFFERS A NEW WHOLISTIC INTERPRETATION OF OUR MEGALITHIC ANCESTOR CULTURE:
SPIRIT OF PLACE – the triple goddesses of the golden apples
In the centre of our three lands: Scotland, Ireland and Britain, there is the Isle of Man, and the Megalithic sites now emerge in our history of pilgrimage. Throughout the 1990’s, Gatekeeper ran several pilgrimages exploring the stone sanctuaries, and mapping them within the four major directions North, South, East and West. The island manifests characteristics of the Megalithic symbology of ‘sun circles’ and egg shaped ‘lunar circles’.
The linking Megalithic geometry can be found in Lundy island’s ‘Lunar Egg’ through which the triangle of Alexander Thom centres its orientation. North of the island coincides with the isle of Man, and perhaps the ‘origin of the Altar Stone’ in Scotland.
A LINKED MEGALITHIC CULTURE (2,500 BC to AD 200) and mysterious society informing our present day science.
The Piscean Age beginning with the advent of Christ, and was preceded by the 2,000 yr of Aries the Ram (2,000 bc -1AD; preceded by Taurus the creative ‘earth grounded’ sign of ‘the builder’.
We are now entering the Aquarian Age, and weaving 5,000 years or more of builder cultures, the earliest of which are unknown to us except for the link of ‘Pythagorean’ measurements based on the angles of the sun’s passage across the heavens. Megalithic culture migrated to the Mediterranean and became the grounding of our Piscean Age, in which builders everywhere align the ‘true North’ by looking at the shadows cast by the sun at mid-heaven. Sacred spaces where thereafter diagnosed with the perfect ‘angles’ of geometric triangular relationships, which Peter Dawkins suggests might call ‘angels’ of earth energy and sacred space, a ‘sacred dialogue’ underpinning our conscious evolution.
Neolithic geometric carved ball ‘dodecahedron’ ball.
The ‘light body’ of the planet, depicted by Peter Dawkins made up of pentagonal ‘angels’ over a map of Europe.
https://www.peterdawkins.com/planetary-light-body/
The Greek ‘nymphs of the evening’ and the golden light of sundown’[Wiki Fandom]
We are each of us embodying the ‘gardeners and minstrals’ of the magic of our islands, so let us sing to the land, to embody our divine nature.
Editor: Charlotte Yonge, 2025.